Fine Art Auctions

TWO TERRACOTTA IDOLS, EARLY 2ND MILLENNIUM B.C. A pair of hand-modelled terracotta idols, each rendered in a highly stylised, abstract form...

AN ALABASTER MASK, LATE PRECLASSIC, CA. 300–100 BC Carved from creamy, translucent alabaster, this mask presents an elongated oval face wit...

Grass, Günther (1927 - 2015)Etching on wove paper; “Fischkopf,” from 1973; expressionist animal depiction; frontal, highly abstracted, two-dimensi...

TWO LURISTAN BRONZE IBEX HEADS, CIRCA 9TH–7TH CENTURY B.C Each head is finely cast in dark green and brown patinated bronze, depicting an i...

A LARGE MESOPOTAMIAN LAPIS LAZULI INLAID LIMESTONE EYE INLAY, EARLY DYNASTIC, CIRCA 2600-2250 B.C. Carved from creamy, fine-grained limesto...

AN EGYPTIAN LIMESTONE RELIEF FRAGMENT WITH PROFILE MALE HEAD, OLD KINGDOM, 5TH-6TH DYNASTY, CIRCA 2494-2181 B.C. This fragmentary limestone...

AN EGYPTIAN GLASS FROG AMULET, LATE PERIOD TO PTOLEMAIC PERIOD, 664–30 B.C. Cast from translucent deep turquoise-green glass, this amulet i...

A MESOPOTAMIAN BLACK STONE SEATED COW, CIRCA 3300-2900 B.C. Carved from dense black stone, this stylised figure depicts a cow seated on an ...

A SUMERIAN CLAY CUNEIFORM TABLET WITH DOUBLE SIDED INSCRIPTION, UMMA, THIRD DYNASTY OF UR, REIGN OF SHULGI, YEAR 46, CIRCA 2048 B.C. Rectan...

AN OBSIDIAN BYZANTINE ICON DEPICTING THE VIRGIN, CIRCA 1200 A.D. Carved in high relief from lustrous black obsidian, this rectangular icon ...

A BYZANTINE GOLD RING DEPICTING CHRIST & THE VIRGIN, CIRCA 6TH CENTURY A.D. Solid-cast in high-karat gold, this Byzantine ring features a b...

A NEOLITHIC BLACK STONE MOTHER GODDESS IDOL, CIRCA 6TH MILLENNIUM B.C. This important Neolithic marble steatopygous female figure, dating t...

AN EGYPTIAN LIMESTONE RELIEF FRAGMENT, MIDDLE KINGDOM, 11TH-12TH DYNASTY, 2055-1773 B.C. Carved from pale, fine-grained limestone, this fra...

A RARE INLAID BONE CARVING OF A PAIR OF LOVES, ROMAN, CIRCA 1ST CENTURY A.D. Expertly carved from creamy bone, this roundel features a high...

Salvador Dal í (1904-1989) Heaven Canto 18, from La Divine Comédie (Field p.197; M&L 1123) The unique, original plate for the engraving of...

AN ETRUSCAN BONE RAM FIGURINE, CIRCA 550–500 B.C. This object is a small Etruscan figurine carved from bone, dating to the late Archaic per...

Henry Moore (1898-1986) Hamlet The book, 1985, comprising ten offset lithographs printed in colours, numbered from the edition of 1200 on just...

A HELLENISTIC BLACK & WHITE AGATE INTAGLIO DEPICTING A SPHINX, CIRCA 3RD-2ND CENTURY B.C. Expertly carved from banded black and white agate...

Rembrandt Harmensz. van Rijn (1606-1669) The Death of the Virgin Etching with drypoint, 1639, but a later impression of New Hollstein's fourth sta...

Cyril Edward Power (1872-1951) The Eight (Coppel CEP 18) Linocut printed in colours, 1930, signed, titled and inscribed in pencil, numbered fr...

Albrecht Dürer (1471-1528) The Holy Family in Egypt, from The Life of the Virgin Woodcut, circa 1502, but a later Meder d/e impression after ...

A BYZANTINE GREEN CHALCEDONY BUST OF CHRIST, CIRCA 7TH CENTURY A.D. A finely carved Byzantine bust of Christ, executed in green chalcedony ...

Pablo Picasso (1881-1973) L’Ecuyère (Bloch 999; Mourlot 766) Lithograph, 1960, signed in pencil, numbered from the edition of 200, on Arches p...

TWO BYZANTINE BRONZE ICONS, DEPICTING CHRIST WITH RAMS & AN ELDER MAN, CIRCA 7TH CENTURY A pair of cast bronze icons, each depicting a robe...

Rembrandt Harmensz. van Rijn (1606-1669) The Presentation in the Temple: Oblong Print Etching, drypoint and engraving, circa 1639, but a later i...

Cyril Edward Power (1872-1951) Skaters (Coppel CEP 29) Linocut printed in colours, circa 1932, signed and titled in pencil, numbered from th...

Rembrandt Harmensz. van Rijn (1606-1669) Saint Jerome in a dark Chamber Etching, engraving and drypoint, 1642, a very good, dark impression of New...

Albrecht Dürer (1471-1528) The Holy Family with the three Hares Woodcut, circa 1497, but a later impression of Meder's final state, with areas of ...

Rembrandt Harmensz. van Rijn (1606-1669) The Adoration of the Shepherds: with the Lamp Etching, circa 1654, but a later impression of New Hollst...

Rembrandt Harmensz. van Rijn (1606-1669) The Raising of Lazarus: the larger Plate Etching and engraving, circa 1632, but a later impression of N...

Rembrandt Harmensz. van Rijn (1606-1669) The Circumcision in the Stable Etching, 1654, an excellent impression of New Hollstein's second state (of...

AN EGYPTIAN GOLD TAWERET AMULET, PTOLEMAIC PERIOD, CIRCA 323–30 B.C. Cast in solid gold, this amulet depicts the goddess Taweret in profile...

A ROMAN COOKED GLASS COCKEREL ROUNDEL Moulded in translucent brown glass, this Roman roundel features a raised depiction of a cockerel in p...

A NEOLITHIC BLACK STONE STEATOPYGOUS IDOL, EASTERN EUROPE-BLACK SEA, CIRCA 4000–3000 B.C. Carved from black stone, this rare Neolithic stea...

Rembrandt Harmensz. van Rijn (1606-1669) The Return of the Prodigal Son Etching, 1636, a good but slightly later impression of the first state (of...

Rembrandt Harmensz. van Rijn (1606-1669) The Ringball Player ('The Golf Player') Etching and engraving, 1654, but a later impression of New Hollst...

AN EGYPTIAN BONE PROFILE FACE INLAY, LATE PERIOD, DYNASTY XXX TO PTOLEMAIC, CIRCA 380–30 B.C. Carved from pale, finely grained bone, this i...

A SCYTHIAN BRONZE GEM SET MOOSE FIGURE, CIRCA 5TH CENTURY B.C. Cast in bronze, this stylised moose is depicted standing with elongated legs...

A NEOLITHIC BLACK STONE MOTHER GODDESS IDOL, CIRCA 6TH MILLENNIUM B.C. Carved from black stone, this important Neolithic marble steatopygou...

Pablo Picasso (1881-1973) 17th century Man's Head Viewing Two Women, from Séries 347 (Bloch 1638; Baer 1654) Etching, 1968, signed in pencil, numb...

A BYZANTINE CARVED PEARL ICON, SET ON GOLD, CIRCA 7TH CENTURY A.D. A rare Byzantine devotional icon formed from a large, naturally shaped p...

A LAPIS LAZULI BYZANTINE PLAQUE, DEPICTING THE VIRGIN MARY & CHRIST, CIRCA 7TH CENTURY A.D. Carved from deep blue lapis lazuli, this circul...

Pablo Picasso (1881-1973) Picador (Ramie 201v) Terre de faïence glazed plate, 1953, from the edition of 200, with the Empreinte Originale de Picas...

Victor Vasarely (1906-1997) Felhoe (Benavides 1876) Double-sided acrylic on wood multiple, 1989, signed in black ink, numbered from the edition of...

A BYZANTINE GOLD ICON DEPICTING CHRIST, CIRCA 7TH CENTURY An exceptional Byzantine gold icon plaque finely rendered in repoussage, depictin...

Damien Hirst (b.1965) Untitled (Skull) Pen and ink, circa 2007, signed in black ink, accompanied by the publication 'For The Love of God: The ...

Rembrandt Harmensz. van Rijn (1606-1669) Clement de Jonghe, Printseller Etching and drypoint, 1651, a good impression of New Hollstein's sixth or ...

Rembrandt Harmensz. van Rijn (1606-1669) The Strolling Musicians Etching, circa 1635, a good but later impression of New Hollstein's second stat...

Rembrandt Harmensz. van Rijn (1606-1669) Joseph and Potiphar's Wife Etching, 1634, a good but later impression of New Hollstein's third state (of ...

Martin Schongauer (1448-1491) St. Christopher Engraving, circa 1470-1491, a fine, black impression of this very rare print, on laid paper with w...

Damien Hirst (b.1965) The English Bird, from The Currency Enamel paint on paper, 2016, signed, titled, dated and with the image number...

Rembrandt Harmensz. van Rijn (1606-1669) Peter and John healing the Cripple at the Gate of the Temple Etching with engraving and drypoint, 1659, a...

Lucio Fontana (1899-1965) after. Concetto Spaziale Lithograph printed in colours, 1975, numbered from the edition of 575, as included in the p...

Andy Warhol (1928-1987) Neuschwanstein (see Feldman & Schellmann II.372) Offset lithograph with screenprint in colours, 1987, with the stamped...

Patrick Caulfield (1936-2005) Coach Lamp (Cristea 87) Screenprint in colours, 1994, signed in pencil, numbered from the edition of 50, printed...

Marc Chagall (1887-1985) David Sauvé par Michal, from La Bible (Mourlot 250) Lithograph printed in colours, 1960, signed in pencil, numbered fro...

Pablo Picasso (1881-1973) Le Repos du Sculpteur devant un Nu à la Draperie, from La Suite Vollard (Bloch 160) Etching, 1933, signed in pencil, fro...

Martin Creed (b.1968) Work No. 233, from Cubitt Print Box Inkjet print, 2000, signed in pencil, numbered from the edition of 100, published by...

Etel Adnan (1925-2021) Fil du Temps Etching printed in colours, 2021, with the artist's stamped signature, numbered from the edition of 100, p...

Terry Frost (1915-2003) Forgetting Lorca (Kemp 133) Screenprint in colours, 1992, signed and dated in pencil, numbered from the edition of 50, p...